EDITIONS

North American | European

When the ‘Apocalypse Now’ film crew packed up and left the Philippine coastal town of Baler, they left one important item behind – a surfboard. More than 30 years on and this quiet backwater is home to a stoked crew of welcoming locals. Words: Mark Sankey Photos: Alexa Poppe

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Mat Arney hooks up with some old friends to go feral on the Arabian Peninsula and hunt down some truly isolated swell. Words & photos: Mat Arney

Sean Mattison has a reputation as a designer, a coach, and a businessman. His competitive experience, retail background and knowledge acquired from testing hundreds of surfboards made him one of the most versatile surfers in California. Words: Rui Ribeiro.

Self-confessed board hoarder Chris Preston expounds the delights to be found within his tardis-like garden shed, and explains how he came to favour the quiver approach to surfing. Photos by Jamie Bott [except no.3].


The basis of shaping

February 28, 2011 | Words By: Florian Carlo

It takes patience and courage to dedicate your time and labour to shaping boards by hand in a world and time where this kind of craftsmanship is almost forgotten, sometimes even depreciated.


Twenty years ago, all surfers still needed shapers. And a great part of them still had a special relationship with the man that singlehandedly carved every curve of their surf craft.

As with everything else, shaping got mechanical, and surfers got themselves believing that riding Occhy’s board would make them better and everything started popping out of bigger factories.

It still takes creativity and experience to design a surfboard and many surfers are still interested in riding a special board. One made to fit their own needs. One they won’t find next to them waiting for a set at their usual peak. One shaped for their skill and swell conditions, and not for the ASP’s top ten pro surfers.

Looking at this Cyrus Sutton short piece, you know that Ryan Lovelace is one of those dedicated and vocational designers, that on a daily basis tries to make people happy. Ryan, and every other shapers who decided that shaping is meant to be a personal, self-expressed and hand-crafted quest, are the necessary factors that make surfing a millenary culture and discipline.

It is important that surfers consider what a surfboard really is, and why it is better hand shaped by someone who cares - discussed, considered, and adapted to their own criteria.

The hand-shaped way is the only real research and development left in surfing. It is a genuine pursuit of performance, excellence, and happiness. It is a calling which few people on this planet answer for the greater good and who’s work we should all be more aware of.


1 Comments


  1. Go Ryan!

    1


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