EDITIONS

North American | European

Rob Lion of Royal Surfboards and Paul Smith of Glide Surfboards in Cork, Ireland meet with Zephaniah Carrigg, purveyor of functional and beautiful surf craft, on a recent visit to the island. Photos: Danny O'Callaghan

Quietly considered and eloquent, you might know of Nathan Oldfield through his films 'Lines From A Poem' and 'Seaworthy'. Surf Screen's Christiaan Bailey popped him a few duly thoughtful questions about creative motivations and the surf film industry. Photos: Nathan Oldfield

This isn't a shameless plug. This is an encounter with a British company doing something special with surfboards. While the industry is focused on the multi-buck movers and shakers parading their eco-wares, let's not forget our homegrown talent. Words: Howard Swanwick Photos: John Morgan and Jamie Bott

From Gerry Lopez to machine shaping and the retro scene, Tim Stafford chews the fat with UK surf veteran - and mighty leader of the Foam Asylum - Nigel Semmens

Tucked away at the top of a hill near Gwenver beach in Cornwall, Skewjacks was the definitive 1970s surf camp. Drift took four of its founding fathers - Dicky, Harvey, Jamo and Mickey - to the pub and reminisced about good times gone by. Words: Jamie Bott Credit & thanks to Graham Shephard & Mel Sedgwick

Chris Preston chats to Neil Randall of if6was9 about his radical take on traditional board design, Noosa's retro vibe, and his love of vintage style. Photos Dane Peterson


The cold, hard British coast

November 04, 2010 | Words By: Angela

Photographs from around the Devon coast, capturing the romance and honesty of our favourite time of year at Drift, the dead of winter. Shoshanna Bowles explains.


I began to realise there was something quite special about the cold, hard British surf coast but only after I started photographing it did I realised this.

I always ventured down to the Devon coast to escape into surfing, making the best of the winter we experience. Most of the time I’m battered by a cold wind, while struggling out of my wetsuit off and wishing for a warmer climate. But this brutality defines us and our coastline as uniquely British.

These photos take in the Devon coastline as it is, granular, cold and at times a little bit spooky, but at the same time sublime and beautiful.

When I’m photographing Devon I always use film, in particular in the bleaker winter months. Film seems to allow me to bring the subject to life with my own style. By using black and white stock, and adjusting the exposure time down, I find I am able to capture a very honest portrayal of our coast. These photos are from a series exploring the struggle and passion of surfing in these austere months; contrasting the beauty that is uniquely ours.

I don’t believe it was a conscious decision to start surf-related photography, the ocean is one of my loves and the majority of my work has some relationship with the coast and ocean. Visit my web site here.

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