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Rob Lion of Royal Surfboards and Paul Smith of Glide Surfboards in Cork, Ireland meet with Zephaniah Carrigg, purveyor of functional and beautiful surf craft, on a recent visit to the island. Photos: Danny O'Callaghan

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Drift checks in with Andrew Crockett following the release of the much-anticipated 'Switch-Foot II', a tribute to surfing's counter-culture.

Mark Sankey and Alexa Poppe discover Autumn's aquatic gifts in a late September road trip spanning France and Spain. Words: Mark Sankey. Photos and Design: Alexa Poppe

Bing Copeland was a pioneer of the modern surf industry. In his excellent new retrospective, ‘Bing Surfboards – Fifty Years of Craftsmanship and Innovation’, Paul Holmes discovered what makes Bing tick. Words: Bing Copeland & Paul Holmes Photos: Courtesy of Bing Copeland

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott


The cold, hard British coast

November 04, 2010 | Words By: Angela

Photographs from around the Devon coast, capturing the romance and honesty of our favourite time of year at Drift, the dead of winter. Shoshanna Bowles explains.


I began to realise there was something quite special about the cold, hard British surf coast but only after I started photographing it did I realised this.

I always ventured down to the Devon coast to escape into surfing, making the best of the winter we experience. Most of the time I’m battered by a cold wind, while struggling out of my wetsuit off and wishing for a warmer climate. But this brutality defines us and our coastline as uniquely British.

These photos take in the Devon coastline as it is, granular, cold and at times a little bit spooky, but at the same time sublime and beautiful.

When I’m photographing Devon I always use film, in particular in the bleaker winter months. Film seems to allow me to bring the subject to life with my own style. By using black and white stock, and adjusting the exposure time down, I find I am able to capture a very honest portrayal of our coast. These photos are from a series exploring the struggle and passion of surfing in these austere months; contrasting the beauty that is uniquely ours.

I don’t believe it was a conscious decision to start surf-related photography, the ocean is one of my loves and the majority of my work has some relationship with the coast and ocean. Visit my web site here.

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