A surfer from Noosa's sun drenched shores obsessed with the dark world of gothic horror, Jai Lee's personal struggles and addiction to noseriding have twisted his creativity. Words: Chris Preston Photos: Thomas Robinson (pp 1&3), Andy Staley (pp4)and Dane Peterson

Richard James and his brother Andrew recently finished shooting their first film, a surf trip of 30,000 kilometres along the west cost of Africa. Words and photos: Richard James

When legendary longboard designer Bob McTavish came to Devon recently as part of TIKI's international shaper tour, Chris Preston couldn't resist the opportunity to quiz him about the technicalities of board design... Photos: Jamie Bott

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

...in the age of the programmable hand. San Diego's Josh Hall explains why he has chosen to tread the well-worn path of hand-shaping, in conversation with Andy Smith. Photos: Garrett Highhouse, T. Colla, Ryan Tatar

Mark Leary's latest work deviates sharply from the usual surf photography portfolio, celebrating as it does the commonplace, everyday aspects of surfing instead of monster swells and awesome barrels. Chris Preston chats to him about moments captured.


one is all you need…

July 11, 2009 | Words By: Chris P

There’s an old bumper sticker, seen around California a few years ago: ‘One Fin, One God, One Country’.

While I’m not in any way a religious man in the normal sense of the word, I am perhaps something of a zealot when it comes to my choice of logging equipment. I know there are sound performance reasons for choosing a 3 fin board but I’ve never found they work for me: their more drawn-out turns don’t fit naturally with how I want to surf and, as for bigger waves, in the words of  Tmoe Campbell, “logging is a strictly under head high trip”. (Don’t even get me started on progressive longboarding!)

Thinking about this the other day lead me to an interesting question: does your choice of equipment end up defining how you surf or do you end up choosing equipment that fits your natural style? It’s probably a chicken and egg question but by way of illustration…

I spent a couple of hours surfing a friend’s Junod two-tone noserider the other day. It’s a very “pig-influenced shape” with lots of roll, wide hips and a narrow nose. Very much a pocket noserider and a beautiful board. I tend to surf with a fairly smooth (in my own mind), traditional style but with this particular steed, the more outrageous body english I attempted, the more it seemed to respond. Fixing in my mind’s eye a vision of Alex Knost-style theatrics, I proceeded to have an absolute blast. Suddenly I could see where his style had its roots and I’m sure that years of getting the most out of such a shape may have helped to define his approach. Jared Mell surfs similar boards and clearly has similar elements to his style too. Musing further, it’s also clear that your local waves will have a massive influence both on style and choice of equipment. Piggy logs, for example, love clean steep waves but don’t noseride especially well in the mushy windswell waves we deal with so frequently.

Not a conclusive answer or a scientific approach at all but an interesting question…. no? Oh it’s just me then!


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  1. ONE FIN ONE GOD.

    1


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