A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

...in the age of the programmable hand. San Diego's Josh Hall explains why he has chosen to tread the well-worn path of hand-shaping, in conversation with Andy Smith. Photos: Garrett Highhouse, T. Colla, Ryan Tatar

Devastated by more than a decade of civil war, the Republic of Liberia is still in a serious state of flux. Could surfing bring a new hope and more peaceful future to this West African nation? Words & photos: Nicholai Lidow & Kate Thomas. Additional photos: Ted Grambeau & Jamie Bott

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

Sean Mattison has a reputation as a designer, a coach, and a businessman. His competitive experience, retail background and knowledge acquired from testing hundreds of surfboards made him one of the most versatile surfers in California. Words: Rui Ribeiro.

When legendary longboard designer Bob McTavish came to Devon recently as part of TIKI's international shaper tour, Chris Preston couldn't resist the opportunity to quiz him about the technicalities of board design... Photos: Jamie Bott


one is all you need…

July 11, 2009 | Words By: Chris P

There’s an old bumper sticker, seen around California a few years ago: ‘One Fin, One God, One Country’.

While I’m not in any way a religious man in the normal sense of the word, I am perhaps something of a zealot when it comes to my choice of logging equipment. I know there are sound performance reasons for choosing a 3 fin board but I’ve never found they work for me: their more drawn-out turns don’t fit naturally with how I want to surf and, as for bigger waves, in the words of  Tmoe Campbell, “logging is a strictly under head high trip”. (Don’t even get me started on progressive longboarding!)

Thinking about this the other day lead me to an interesting question: does your choice of equipment end up defining how you surf or do you end up choosing equipment that fits your natural style? It’s probably a chicken and egg question but by way of illustration…

I spent a couple of hours surfing a friend’s Junod two-tone noserider the other day. It’s a very “pig-influenced shape” with lots of roll, wide hips and a narrow nose. Very much a pocket noserider and a beautiful board. I tend to surf with a fairly smooth (in my own mind), traditional style but with this particular steed, the more outrageous body english I attempted, the more it seemed to respond. Fixing in my mind’s eye a vision of Alex Knost-style theatrics, I proceeded to have an absolute blast. Suddenly I could see where his style had its roots and I’m sure that years of getting the most out of such a shape may have helped to define his approach. Jared Mell surfs similar boards and clearly has similar elements to his style too. Musing further, it’s also clear that your local waves will have a massive influence both on style and choice of equipment. Piggy logs, for example, love clean steep waves but don’t noseride especially well in the mushy windswell waves we deal with so frequently.

Not a conclusive answer or a scientific approach at all but an interesting question…. no? Oh it’s just me then!


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