drift, perspectives in surfing

A surfer from Noosa's sun drenched shores obsessed with the dark world of gothic horror, Jai Lee's personal struggles and addiction to noseriding have twisted his creativity. Words: Chris Preston Photos: Thomas Robinson (pp 1&3), Andy Staley (pp4)and Dane Peterson

...in the age of the programmable hand. San Diego's Josh Hall explains why he has chosen to tread the well-worn path of hand-shaping, in conversation with Andy Smith. Photos: Garrett Highhouse, T. Colla, Ryan Tatar

During December 1970 and January 1971, my father, my brother Duncan and I designed the first Bonzer. It was the beginning of an amazing journey. Words: Malcolm Campbell. Photos: Miguel Barreira

When the ‘Apocalypse Now’ film crew packed up and left the Philippine coastal town of Baler, they left one important item behind – a surfboard. More than 30 years on and this quiet backwater is home to a stoked crew of welcoming locals. Words: Mark Sankey Photos: Alexa Poppe

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe