A profile of shaper Chris Jones: If you surf sooner or later you’ll end up at Chris Jones’ door. Who else can offer you fifty years of shaping experience? Who else was there at the beginning? CJ, legendary shaper/surfer, rugby fanatic, pasty connoisseur is this morning sanding down a vintage Tiki for restoration.

As the Campbell brothers wrap up a European shaping tour, Mark Sankey discovers Bournemouth's hidden Californian connection, and why old designs aren't necessarily retro. Photos and design by Alexa Poppe

...in the age of the programmable hand. San Diego's Josh Hall explains why he has chosen to tread the well-worn path of hand-shaping, in conversation with Andy Smith. Photos: Garrett Highhouse, T. Colla, Ryan Tatar

Chris Brunt chats to west Penwith's prodigal son and professional journeyman Sam Bleakley about his thirst for adventure and love of longboarding. [All photos by Chris Brunt.]

Sean Mattison has a reputation as a designer, a coach, and a businessman. His competitive experience, retail background and knowledge acquired from testing hundreds of surfboards made him one of the most versatile surfers in California. Words: Rui Ribeiro.

From WQS warrior to independent filmmaker via a AUS$27,000 debt, Johnny Abegg has trod an unconventional path through life so far, and proves that a relentlessly positive outlook and upbeat character can see you through the toughest times... Words: Mark Sankey Photos: Johnny Abegg

When his career as a pro surfer was ended by cancer, Richie Lovett forged a new career in the manufacturing industry. Now he's singing the praises of machine-shaping technology. Words: Chris Preston Photos: Jamie Bott

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

Jeff Divine remembers the time when surfers were akin to outlaws, and his photographs capture the days of uncrowded line-ups, good vibes and barefoot living. Words: Michael Fordham Photos: Jeff Divine

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia


Swell: An Exhibition Dedicated to the Sea and Surfing


September 05, 2014 | Words By:

phelan_thumb Graphic Studio Gallery Dublin, a not for profit print making studio which was established in 1960, has announced the new exhibition of artist Tom Phelan.
The works in this show are based on his surroundings and various influences through music, the cities of Vienna and Hamburg, and his passion for surfing and the sea.


an acute, uneasy awareness of being landlocked in Central Europe and what he calls his “sea sickness”

The latter is highlighted by Phelan’s acute, uneasy awareness of being landlocked in Central Europe and what he calls his “sea sickness”, which most notably manifests itself in his series “Lipsticks”, the name given to the first colourful fiberglass surfboards after World War II on the West Coast of America.

Phelan retired as studio manager and master printmaker at Graphic Studio Dublin to concentrate on his own work, after committing over twenty years to the renowned Dublin print workshop.

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A move to Vienna followed, where he set up his own workshop and editioning studio Black Spot Press, working on a press kindly given to him by the family of the late Barry Flanagan. This has since been joined by a larger press made by artist James McCreary. 

Since then, Phelan has collaborated with numerous Austrian and international artists and musicians, including the English indie band Tindersticks.

Mostly working in the medium of woodblock print, Phelan’s use of repeat patterns, balance and colour create a body of work that is contemporary, exciting and distinctive, while also showcasing his high technical skills.

The exhibition runs from the 5-27 September. For more information visit www.graphicstudiodublin.com

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