EDITIONS

North American | European

Rob Lion of Royal Surfboards and Paul Smith of Glide Surfboards in Cork, Ireland meet with Zephaniah Carrigg, purveyor of functional and beautiful surf craft, on a recent visit to the island. Photos: Danny O'Callaghan

In Florianopolis - Brazil's surf capital - during prime swell season, an incomplete line-up gets Clare Howdle thinking... (Photos 2, 3, 4&8: André Côrtes; photos 1&7: Zander Grinfeld, www.venncreative.co.uk)

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia

Devastated by more than a decade of civil war, the Republic of Liberia is still in a serious state of flux. Could surfing bring a new hope and more peaceful future to this West African nation? Words & photos: Nicholai Lidow & Kate Thomas. Additional photos: Ted Grambeau & Jamie Bott

Flitting between awesome waves at Aileens and Nelscott Reef is all in a week's work for Ireland's big-wave master Al Mennie. Words: Al Mennie Photos: Al Mennie, Gary McCall, Larry Jansky, Richard Hallman

Ian Battrick and Tim Nunn take a journey around the North Atlantic isle of Iceland to put the finishing touches to their book, out this Autumn. Join them on their journey.
Photos Tim Nunn and Ian Battrick Words Tim Nunn


Experience otherness

November 14, 2009 | Words By: The CELL

openSurf trips are as much about the expanse of sky and the stars as they are about the horizon, water, the ocean and the waves. They’re as much about eating as about riding waves, and as much about walking as driving.

So many things chart the day to its plotted end: defamations, character assassinations, puns, Protean narratives. Perhaps it’s only through otherness that we fully realise the gamut of experience and what it truly means to place a value on things.

Even in pursuit of the image we rarely give anything over to the peripherals of the event; the event itself is always pre-possessed of an aesthetic of operations, a centring which usually marks out its composition around climax. As such, the details rarely sparkle. Perhaps culture is too hard for the softer edges; it desires the voyeuristic presence more than the ethereal. Much of these things are matters of perspective, but the common thread that binds us is the perception embodied in the experience of now. The writing becomes re-presentation, but the words – like the images – collect the shell of experience on our behalf; in so doing, these works themselves become a further experience of otherness.

In the spring of 2009, Ollie Banks, Steve Croft and I headed for the western isles. In the following autumn, Ollie Banks, Steve Crawford, Joss Wescombe, Rich Mathers and I returned. Two seasons apart, here’s a selection of perspectives that bridge generations.

Picture 13 of 13


[the end/Ollie Banks]

Surfboards courtesy: Empire SurfboardsPlanck SurfboardsRoyal Surfboards

Wetsuits courtesy HOTLINE wetsuits

Clothing courtesy Finisterre


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