EDITIONS

North American | European

Rob Lion of Royal Surfboards and Paul Smith of Glide Surfboards in Cork, Ireland meet with Zephaniah Carrigg, purveyor of functional and beautiful surf craft, on a recent visit to the island. Photos: Danny O'Callaghan

Drift caught up with big-wave surfer Carlos Burle on home territory in Brazil to find out why he considers big-wave riding to be a playground for the few who have earned the privilege. Photos: Al McKinnon

Tucked away at the top of a hill near Gwenver beach in Cornwall, Skewjacks was the definitive 1970s surf camp. Drift took four of its founding fathers - Dicky, Harvey, Jamo and Mickey - to the pub and reminisced about good times gone by. Words: Jamie Bott Credit & thanks to Graham Shephard & Mel Sedgwick

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

Drift tracked down Mark Jeremias and Jason Baffa, directors of ‘Singlefin: Yellow’, to talk about their new project, ‘One California Day’, and find out their thoughts on surf culture and tradition from Crescent City to Imperial Beach. Words: Jamie Bott

Mat Arney hooks up with some old friends to go feral on the Arabian Peninsula and hunt down some truly isolated swell. Words & photos: Mat Arney


Experience otherness

November 14, 2009 | Words By: The CELL

openSurf trips are as much about the expanse of sky and the stars as they are about the horizon, water, the ocean and the waves. They’re as much about eating as about riding waves, and as much about walking as driving.

So many things chart the day to its plotted end: defamations, character assassinations, puns, Protean narratives. Perhaps it’s only through otherness that we fully realise the gamut of experience and what it truly means to place a value on things.

Even in pursuit of the image we rarely give anything over to the peripherals of the event; the event itself is always pre-possessed of an aesthetic of operations, a centring which usually marks out its composition around climax. As such, the details rarely sparkle. Perhaps culture is too hard for the softer edges; it desires the voyeuristic presence more than the ethereal. Much of these things are matters of perspective, but the common thread that binds us is the perception embodied in the experience of now. The writing becomes re-presentation, but the words – like the images – collect the shell of experience on our behalf; in so doing, these works themselves become a further experience of otherness.

In the spring of 2009, Ollie Banks, Steve Croft and I headed for the western isles. In the following autumn, Ollie Banks, Steve Crawford, Joss Wescombe, Rich Mathers and I returned. Two seasons apart, here’s a selection of perspectives that bridge generations.

Picture 2 of 13


[M.D. bottom turn/Ollie Banks] Evening autumnal light serenades an 'Empire' Jekyll.

Surfboards courtesy: Empire SurfboardsPlanck SurfboardsRoyal Surfboards

Wetsuits courtesy HOTLINE wetsuits

Clothing courtesy Finisterre


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