EDITIONS

North American | European

Flitting between awesome waves at Aileens and Nelscott Reef is all in a week's work for Ireland's big-wave master Al Mennie. Words: Al Mennie Photos: Al Mennie, Gary McCall, Larry Jansky, Richard Hallman

Dane Peterson and Belinda Peterson-Baggs recently travelled to Indonesia with aid supplies that are still much in demand nearly four years after the tsunami... Words: Belinda Peterson-Baggs Photos: Dane Peterson; Adam Kobayashi

One of the great things about surfing in this current era is the wide acceptance of different board designs. Over the last 10 years, it has become acceptable to pretty much ride anything from surfmat to singlefin, fish to longboard. Words: Chris Preston Photo (2): Dan Crockett

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

The Mentawais have given a lot to surfers; now it's time to give something back. Kate and Luke Gerson celebrate the beauty of these islands and highlight the continued need for aid following the recent earthquake.

Quietly considered and eloquent, you might know of Nathan Oldfield through his films 'Lines From A Poem' and 'Seaworthy'. Surf Screen's Christiaan Bailey popped him a few duly thoughtful questions about creative motivations and the surf film industry. Photos: Nathan Oldfield

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Refinements in design

July 20, 2009 | Words By: tom w

surfie-dude-waikiki-openHere are two boards that fascinate me…
surfie-dude-waikiki

The first is this ancient guy at Waikiki. This guy looks like a surfer. You can tell by his stance and the way he holds his board that he loves it and has been riding it a long time. It took Jacob Stuth and I months of looking at this guy’s board before we realised that the rails have a parabolic curve (the tail widens) and that there was a concave in it. We were blown away because there was nothing like this at the Bishop Museum. We made one that day and found that it rode better than the ones I was making.

auction-alaiaThe second photo, sent to me by Jack McCoy, is a board that sold at last year’s Hawaii Surf Auction. The board has straight rails, although  the camera angle makes it look like the tail is narrower than the nose. But the board has a concave from about 18″ behind the nose to the tail. Then, equally amazingly, it has two little concaves on either side of the nose.

Anyone who has struggled with the alaia design for any amount of time will know that the nose pearling is a problem, as is the nose grabbing water and pulling up the face. Someone well over 120 years ago was dealing with exactly the same problems as us. This was his solution. Did it work? I don’t know. I actually have never tried it.

These are just two examples of how great surfing ideas and history are still being revealed and discovered. I still find it great fun to keep looking at surfing’s complex past.

 

 

 

 

 

 

 

 

On a separate note: I am leaving for Europe today for the shaping mission. I am hoping to bring what I have learned about the alaia and other boards to Europe, but at the same time, I am really looking forward to see what the Europeans are up to. If you have a new design or would like to try something new with wood, please feel free to contact me. Actually the best thing to do is respond to this blog - email Howard, editor of Drift Europe. This site is my contact with the world for the summer.

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