Surfing anorak that I am, I’m always looking out for new DVD’s to keep me stoked while the sou’ westerlies blow. This DVD popped into my mailbox a week or two ago, the new film from Mikey DeTemple, the man behind Picaresque which came out a couple of years ago, called Sight | Sound. With great anticipation I popped it into the dvd player tray and it’s been living in there since!

Although he does wield a camera, Mikey mostly takes on an actor/director role and steer his films firmly into the artistic side of the endeavor with little in the way of voice or titles cluttering the piece. The film flows past smoothly and in full colour from one section to the next, with a “modern electric” soundtrack that is a hell of a lot better than that description makes it sound!

Like Picaresque, Mikey made an effort to seek out some of the roads less travelled while gathering footage. This time we are treated to, amongst others, spitting Nicaraguan beach break barrels, sub zero snowbound Canada, dusty Baja zippers and colourful Barbados.

There’s an eclectic mix of surfcraft to fit with an eclectic mix of surfers. Chris del Moro clearly rips on anything, Ryan Burch makes slabs of foam look fun and there’s plenty of high quality logging on offer from DeTemple, Kassia Meador, Scotty Stopnik and Justin Quintal, an East coaster that few will have heard of but many will remember. There’s some good footage of Tyler Warren and DeTemple on mini Simmons style boards too, maybe the first footage on DVD outside Richard Kenvin’s sphere of influence and making them look just as fun as they undoubtedly are. The Canadian footage is high quality too, even if it does look ball-achingly cold! It’s somehow gratifying to watch pros donning full suits boots and gloves to surf in 40 degree water and snowstorms just like we do!

My favorite section features a rifling right hand Mexican point which looks almost cape St Francis perfect. Jared Mell and Kassia Meador feature heavily, their contrasting styles creating a counterpoint like a conversation through the footage. Meador smoothly logging some of the most impressive women’s longboarding I’ve seen while Mell’s highly technical almost jagged and urgent “Knost-esque” style sitting on the other side of the coin. Mell is exceedingly good and has perhaps the longest hang heels I’ve ever seen committed to film.

The overall feel is similar to picaresque although the production crew and many of the cast have changed. There’s a more balanced mix of short and long equipment, warm and cold water. The most obvious difference is a hike in production values from last time. There’s a more lush feel to the shots and some of the footage is shot on 16mm film stock.

It’s altogether less self-congratulatory this time – something that Picaresque was criticized for – I really liked it and it’s stood up to repeated viewings so far.

Perhaps the best way of rating a new surf film is by answering this most simple of questions… did it make me want to go surfing?

In this case, the answer…….”HELL YES!”

(Mercifully the star wipes are not in the actual film!)

More of my rambling here.

Photo by Nick Lavechhia.

So i picked this board up second hand last year from a friend who brought it back from California. Officially its a 9’4 bing NR 2 (9’4 x 18 x 23 x 16) although it’s fairly different from another friends older NR2. Not long after this one was bought, bing changed the NR2 model to the BN lightweight and i think this is more likely an early version of that model.

It’s a parallel templated noserider, big nose concave, flat rocker with a lot of tail lift, soft pinched rails and a refined foil.  Where it differs from a regular log is in weight. It’s purposefully glassed a bit lighter and foiled a little thinner than the traditional nuuhiwa style noserider template, the aim being to create a more manageable, versatile, traditional board. It’s still got a little heft to it, we aren’t talking progressive longboard style weight.

I’ve ridden the board in beachbreak up to shoulder high and I have to say i think it’s great! The relative lightness and the tail kick make it really loose off the tail. Pushing through your back foot yields really abrupt and satisfying pivot cutbacks. On the nose it’s stable and fast, holding a high line well and letting you get ten or heels over with impressive ease. The lighter glassing also makes it feel really manageable in steeper or slightly larger waves than a heavier log might be suited to. I think it would make a good travel log as a result.

If there is a downside it would just be that it can feel a little twitchy as you transition from tail to nose (though once in a forward position it’s stable) and it lacks the weight to cut through chop in quite the same way as it’s stouter brethren… but you can’t have everything and the compromise does make this into a really good easy riding log style board, either to cover a few bases while travelling or for the lighter logger who finds dead weight & the momentum it gives difficult to reign in!

The last couple of months I’ve been testing this Nineplus stylist wetsuit and so far I’m very impressed. The latest generation of suits seem a real step up in quality from the last Nineplus suit I had a couple of years ago. It’s mostly single lined 3mm Yamamoto neoprene, it’s soft, fits like a glove and is supple and flexible too. Seams are glued blindstitched and spot taped on stress points. The “shorts” area in particular feels very flexible, you aren’t aware of the seams in this area at all. It’s definately a suit you almost forget you’re wearing.

Closure is with a back zip and a generously sized “batwing” collar underneath to keep it watertight. Entry and exit are therefore very easy and there’s minimal water flushthrough

It’s a warm suit and i’m looking forward to getting my full leg version soon which i’m sure will be even warmer!

The big problem with the Nineplus suits I’ve owned in the past has been durability but so far it doesn’t look like an issue thats going to affect this suit. All in all, stylish, warm, flexible and good value for money.

Testing on dawnpatrol, La Torche, Finisterre:

menswaves.over-blog.com

More of my ramblings: adventuresintrim.blogspot.com

The shelves of your local surfshop are filled with a steady stream of new dvds each featuring an all star cast of action heroes pulling into monster barrels in Tahiti or pulling monster airs in Indo. Yet the number of movies celebrating our homegrown talent is woefully small. Having already seen some stills from some of the sessions included in Fusion, it was with a fair amount of excitement that i slipped it into my dvd player.

In the shops as you read this (or available through http://www.surfclips.co.uk) it aims to reveal British surfing and British waves at their best. It’s been a labour of love for filmaker Ross Johns over the last three years and has lead to many an uncomfortable night asleep in the car and many a junkfuelled petrol station dinner.

From the start, there’s no delusions of Thomas Campbell, there’s no chin stroking celebration of how cool we all are for being surfers, this is straight up surf porn. Set to a pumping soundtrack of dance and guitar bands, it’s a balls to the wall barrel fest of epic proportions.

If you are unaware of the quality of the current crop of top British surfers, or you are unaware quite how good some of the waves in the UK are, you will be picking your jaw up off the floor time and again. Some of the slab waves are very scary looking indeed with tow or paddle entry and the quality of the camera work is good. It’s not all pits either, a large number of lips get well and truly slayed over the 60 minute(ish) running time along with some pretty progressive aerial surfing as well.

It’s filmed all over the South West, shows the brown water of North Yorkshire at it’s best and features some of the recent slab sessions in Caithness at waves like Bagpipes that have been well documented in Carve and others.

The cast list is a veritable who’s who of UK shortboarding from Russ Winter and Stokesy (who has a good section as does Mark “Egor” Harris) to newer names like Tom Butler. Reubyn Ash is perhaps the only notable not present.

There’s a dash of progressive longboarding in the mix too. Adam Griffiths and Ben Skinner wield their nine foot sticks into turns that most people dream of doing on boards three feet shorter, before they prove they are both equally at home on shorter, skinnier equipment.

This isn’t “Thicker Than Water”, its not trying to be. It is a great document of where we are right now and almost certainly shows the highest level of homegrown surfing captured on video to date. If it doesn’t inspire you to pull in deeper or smack the lip harder the next time you surf then nothing will!