A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

Chris Preston chats to Neil Randall of if6was9 about his radical take on traditional board design, Noosa's retro vibe, and his love of vintage style. Photos Dane Peterson

Portugal explodes onto the global big wave circuit with a handful of household names and a freakish wave canyon. Photos: Jorge Leal and Wilson Ribeiro.

Chris Preston interviews Sydney's Matt Chojnacki. His surfing may be heavily influenced by the glories of the past, but to tag him as just another retro dude is missing the mark. Words: Chris Preston. Photos: Matt Johnson / thesealife.com.au

God Went Surfing with The Devil is a film by Alex Klein, which documents the war-torn region of Gaza. At a time when tensions are high, this film investigates the attitudes and aspirations of a small pocket of people where surfing removes socio-political divisions and lets the ocean carry their aspirations for peace.

Chris Preston chats to longboard maestro Steve Walden about his disappointment with the lack of recognition for the longboarding scene, what makes the Magic model magic, and working with GSI. Photos: Jamie Bott


The importance of a good work ethic

October 21, 2009 | Words By: The CELL

malcolm-shapingIn the commercial and industrialised operation that global surfboard production has become, the value of people and community have largely been lost. Recently we had the opportunity to chat to Malcolm Campbell, the creator of the Bonzer (a Drift feature is on its way), about his views on the globalisation of the surfboard industry. Words: Steve Croft & Mark Sankey, photos: Alexa Poppe.

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Legitimisation & the board industry

September 03, 2009 | Words By: The CELL

drift-imageIt’s always difficult to factor the problems of global market economies, or to give accountable and workable alternatives to mass consumerism fed by unsustainable production methods.

(words Mark Dickinson photos Ollie Banks)

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