A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

Chris Preston interviews Sydney's Matt Chojnacki. His surfing may be heavily influenced by the glories of the past, but to tag him as just another retro dude is missing the mark. Words: Chris Preston. Photos: Matt Johnson / thesealife.com.au

God Went Surfing with The Devil is a film by Alex Klein, which documents the war-torn region of Gaza. At a time when tensions are high, this film investigates the attitudes and aspirations of a small pocket of people where surfing removes socio-political divisions and lets the ocean carry their aspirations for peace.

Highs and lows in Morocco. Photos and words by Dan Crockett.

Looking to the future with an eye firmly on the past, Tom Wegener has reintroduced the transport of kings to surfing's elite. His boards are works of art, but it's his veg patch that really floating Tom's boat right now... Words: Tommy Leitch Photos: Jamie Bott

Tucked away at the top of a hill near Gwenver beach in Cornwall, Skewjacks was the definitive 1970s surf camp. Drift took four of its founding fathers - Dicky, Harvey, Jamo and Mickey - to the pub and reminisced about good times gone by. Words: Jamie Bott Credit & thanks to Graham Shephard & Mel Sedgwick


Dirty fingers

March 10, 2010 | Words By: Angela

kookMy copy of The KooK arrived this morning. Never has our grumpy postman been such a welcome visitor. Thanks to Dan Crockett and friends, instead of red bills I got a pink paper. Lush!

It’s like getting back to the old school: way before the internet and fancy shit like PDFs, when print magazines were king, we used to check over four layers of film, and – if we were lucky – we could scratch off (some of) our mistakes. The KooK seems to tap into something further back still, when newspapers were trusted and treasured purveyors of information instead of today’s throwaway tabloid tat.

It’s a quirky mix of photography, design and words, shunning easy categorisation in favour of something unique, personal and occasionally downright weird. Extra-ordinary? Expect nothing less.

kook3But don’t take my word for it – support the innovation, the effort, the people who buck the norm and who have poured their hearts into making something that refuses to conform and is all the better for it – by buying a copy direct from Mr Crockett himself. It’s cheaper than a pint and lasts longer.

And – hail the modern miracle – there’s actually not a smudge of newsprint on these fingers. How times have changed…


3 Comments


  1. Looks interesting…buying one now…

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  2. finally got my own inky fingers on this piece of tomorrow’s chip paper, and it is truly wholesome. if you were ever into music/scene zines when you were younger (remember ‘surf’s up’) you should like this- a ‘professional’ look and quality writing of a mag/journal but with the DIY and enthusiasm ethos of a zine. spot on & i’m proud to be in there. looking forward to K#2 sometime not v.soon.

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  3. Got a copy, great read, love it.

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