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North American | European

Mat Arney hooks up with some old friends to go feral on the Arabian Peninsula and hunt down some truly isolated swell. Words & photos: Mat Arney

Rebel wave riders on a mission to enlighten the Western world to the true culture of the Middle East, blakkbox redefine the notion of surfers as beach bums who only care about the next wave. Photos: Cole Estrada & Anthony Allen

Jimmy Newitt pays homage to one of South Devon's treasures - not a break but a surfer who stands tall in the crowd. Words: Jimmy Newitt Photos: Ollie Howe

"I'm not interested in formulae when it comes to surfing and art." Ryan Lovelace talks to Chris Preston about trusting your eyes, hands, and feet, and adding another leaf to the weird-hull-alternative-vibe-tree. Photos: Morgan Maasen, Brandon DiPierri & Ryan Lovelace

Devastated by more than a decade of civil war, the Republic of Liberia is still in a serious state of flux. Could surfing bring a new hope and more peaceful future to this West African nation? Words & photos: Nicholai Lidow & Kate Thomas. Additional photos: Ted Grambeau & Jamie Bott

Two of the most influential people on the surf-inspired art scene, Jeff Raglus and Gerry Wedd have been making their mark on everything from surfboards to teapots since the 1970s. Thirty years later, they're still as productive as ever... Words: Tommy Leitch Photos: Jamie Bott


Experience otherness

November 14, 2009 | Words By: The CELL

openSurf trips are as much about the expanse of sky and the stars as they are about the horizon, water, the ocean and the waves. They’re as much about eating as about riding waves, and as much about walking as driving.

So many things chart the day to its plotted end: defamations, character assassinations, puns, Protean narratives. Perhaps it’s only through otherness that we fully realise the gamut of experience and what it truly means to place a value on things.

Even in pursuit of the image we rarely give anything over to the peripherals of the event; the event itself is always pre-possessed of an aesthetic of operations, a centring which usually marks out its composition around climax. As such, the details rarely sparkle. Perhaps culture is too hard for the softer edges; it desires the voyeuristic presence more than the ethereal. Much of these things are matters of perspective, but the common thread that binds us is the perception embodied in the experience of now. The writing becomes re-presentation, but the words – like the images – collect the shell of experience on our behalf; in so doing, these works themselves become a further experience of otherness.

In the spring of 2009, Ollie Banks, Steve Croft and I headed for the western isles. In the following autumn, Ollie Banks, Steve Crawford, Joss Wescombe, Rich Mathers and I returned. Two seasons apart, here’s a selection of perspectives that bridge generations.

Picture 1 of 13


[Joss slide/Ollie Banks] A new generation of twin-fin expression. It's great to see younger surfers like Joss Wescombe exploring things on their own terms, while giving a respective nod to other people and times.

Surfboards courtesy: Empire SurfboardsPlanck SurfboardsRoyal Surfboards

Wetsuits courtesy HOTLINE wetsuits

Clothing courtesy Finisterre


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