EDITIONS

North American | European

Highs and lows in Morocco. Photos and words by Dan Crockett.

Mark Sankey discusses the merits and faults of EPS with two of Britain's finest craftsmen, Mark Dickinson and Rob Lion, both of whom have been shaping the stuff with style for a good few years now... [photos by Ollie Banks]

From WQS warrior to independent filmmaker via a AUS$27,000 debt, Johnny Abegg has trod an unconventional path through life so far, and proves that a relentlessly positive outlook and upbeat character can see you through the toughest times... Words: Mark Sankey Photos: Johnny Abegg

Dane Peterson and Belinda Peterson-Baggs recently travelled to Indonesia with aid supplies that are still much in demand nearly four years after the tsunami... Words: Belinda Peterson-Baggs Photos: Dane Peterson; Adam Kobayashi

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Devastated by more than a decade of civil war, the Republic of Liberia is still in a serious state of flux. Could surfing bring a new hope and more peaceful future to this West African nation? Words & photos: Nicholai Lidow & Kate Thomas. Additional photos: Ted Grambeau & Jamie Bott

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Experience otherness

November 14, 2009 | Words By: The CELL

openSurf trips are as much about the expanse of sky and the stars as they are about the horizon, water, the ocean and the waves. They’re as much about eating as about riding waves, and as much about walking as driving.

So many things chart the day to its plotted end: defamations, character assassinations, puns, Protean narratives. Perhaps it’s only through otherness that we fully realise the gamut of experience and what it truly means to place a value on things.

Even in pursuit of the image we rarely give anything over to the peripherals of the event; the event itself is always pre-possessed of an aesthetic of operations, a centring which usually marks out its composition around climax. As such, the details rarely sparkle. Perhaps culture is too hard for the softer edges; it desires the voyeuristic presence more than the ethereal. Much of these things are matters of perspective, but the common thread that binds us is the perception embodied in the experience of now. The writing becomes re-presentation, but the words – like the images – collect the shell of experience on our behalf; in so doing, these works themselves become a further experience of otherness.

In the spring of 2009, Ollie Banks, Steve Croft and I headed for the western isles. In the following autumn, Ollie Banks, Steve Crawford, Joss Wescombe, Rich Mathers and I returned. Two seasons apart, here’s a selection of perspectives that bridge generations.

Picture 1 of 13


[Joss slide/Ollie Banks] A new generation of twin-fin expression. It's great to see younger surfers like Joss Wescombe exploring things on their own terms, while giving a respective nod to other people and times.

Surfboards courtesy: Empire SurfboardsPlanck SurfboardsRoyal Surfboards

Wetsuits courtesy HOTLINE wetsuits

Clothing courtesy Finisterre


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