A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

They're trained to defend their country and protect our freedom and liberty, but when active service is over, many soldiers find themselves struggling with personal and mental problems that the army just doesn't want to know about. Could surfing provide some answers? Words & photos: Russ Pierre

One of the great things about surfing in this current era is the wide acceptance of different board designs. Over the last 10 years, it has become acceptable to pretty much ride anything from surfmat to singlefin, fish to longboard. Words: Chris Preston Photo (2): Dan Crockett

Dane Peterson and Belinda Peterson-Baggs recently travelled to Indonesia with aid supplies that are still much in demand nearly four years after the tsunami... Words: Belinda Peterson-Baggs Photos: Dane Peterson; Adam Kobayashi

A road trip around the Scottish coastline reveals all of the anticipated joys along with a few unexpected pleasures. Words and Photos: Jonathan Barattini

Meet Nick Blair of Joistik Surfboards, whose distinctive decal gets a regular flashing as some of the Gold Coast's best surfers do their thing. Photos & words: Mat Arney


Experience otherness

November 14, 2009 | Words By: The CELL

openSurf trips are as much about the expanse of sky and the stars as they are about the horizon, water, the ocean and the waves. They’re as much about eating as about riding waves, and as much about walking as driving.

So many things chart the day to its plotted end: defamations, character assassinations, puns, Protean narratives. Perhaps it’s only through otherness that we fully realise the gamut of experience and what it truly means to place a value on things.

Even in pursuit of the image we rarely give anything over to the peripherals of the event; the event itself is always pre-possessed of an aesthetic of operations, a centring which usually marks out its composition around climax. As such, the details rarely sparkle. Perhaps culture is too hard for the softer edges; it desires the voyeuristic presence more than the ethereal. Much of these things are matters of perspective, but the common thread that binds us is the perception embodied in the experience of now. The writing becomes re-presentation, but the words – like the images – collect the shell of experience on our behalf; in so doing, these works themselves become a further experience of otherness.

In the spring of 2009, Ollie Banks, Steve Croft and I headed for the western isles. In the following autumn, Ollie Banks, Steve Crawford, Joss Wescombe, Rich Mathers and I returned. Two seasons apart, here’s a selection of perspectives that bridge generations.

Picture 1 of 13


[Joss slide/Ollie Banks] A new generation of twin-fin expression. It's great to see younger surfers like Joss Wescombe exploring things on their own terms, while giving a respective nod to other people and times.

Surfboards courtesy: Empire SurfboardsPlanck SurfboardsRoyal Surfboards

Wetsuits courtesy HOTLINE wetsuits

Clothing courtesy Finisterre


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