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Mat Arney hooks up with some old friends to go feral on the Arabian Peninsula and hunt down some truly isolated swell. Words & photos: Mat Arney

Jimmy Newitt pays homage to one of South Devon's treasures - not a break but a surfer who stands tall in the crowd. Words: Jimmy Newitt Photos: Ollie Howe

Drift checks in with Andrew Crockett following the release of the much-anticipated 'Switch-Foot II', a tribute to surfing's counter-culture.

Big-wave riding is an awe-inspiring experience, but what happens when things go wrong? In an exclusive extract from his new book, Al Mennie explains what it's like to survive the mother of all wipeouts.

Flitting between awesome waves at Aileens and Nelscott Reef is all in a week's work for Ireland's big-wave master Al Mennie. Words: Al Mennie Photos: Al Mennie, Gary McCall, Larry Jansky, Richard Hallman

Joe Curren is the surfing equivalent of old growth, his style in the water and behind a lens is deeply rooted, contemplative and quietly powerful. Jair Bortoleto caught up with Joe to talk about family, travel, and shooting analogue in the digital age. Words: Jair Bortoleto Photos: Joe Curren


The importance of a good work ethic

October 21, 2009 | Words By: The CELL

malcolm-shapingIn the commercial and industrialised operation that global surfboard production has become, the value of people and community have largely been lost. Recently we had the opportunity to chat to Malcolm Campbell, the creator of the Bonzer (a Drift feature is on its way), about his views on the globalisation of the surfboard industry. Words: Steve Croft & Mark Sankey, photos: Alexa Poppe.

Over the years the Campbell brothers have been indirectly approached by some of the world’s largest board manufacturers, but they have always stuck to their principles of hand-built surfboards – high production values, low turnover of goods. When asked for his views on the current trend to mass-produce surfboards in the Far East, Malcolm replied, “We believe in the decentralisation of production. Instead of having all the boards made in one place and then distributed around the world, we believe in coming out to places like England and working with local people. You can have the boards produced locally, so you’re giving something back to the community which is supporting you.”

img_2078_smallWith the market overflowing with imported epoxy composite surfboards and some of the surfing world’s big-name shapers backing them, has Campbell ever been tempted to go down that route? “I do not think those boards perform as well. Polyester – or even a custom EPS – perform better than the equivalent composite board. Some of it’s to do with performance, but it’s more really to do with our theories of business and community. I would rather give work to guys in the area where people are buying the boards.”

img_2333_bonzerwhite1This people-centric philosophy is fundamental to Campbell’s approach to surfing and is shown in their logo – two figures representing people and the community.  “We are really into design and really into surfing but the thing that has kept the Bonzer going is that it works for average surfers; if it didn’t then it would have died out. We really stuck with it because we want to give something back to surfing because it has given so much to us. We believe in the design but we also want to contribute to the surfing community.”


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