A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

During December 1970 and January 1971, my father, my brother Duncan and I designed the first Bonzer. It was the beginning of an amazing journey. Words: Malcolm Campbell. Photos: Miguel Barreira

From Gerry Lopez to machine shaping and the retro scene, Tim Stafford chews the fat with UK surf veteran - and mighty leader of the Foam Asylum - Nigel Semmens

London ad exec Tom Birmingham set off in November in search of adventure on the Southwest Indian coastline. Accompanied by guesthouse owners Ed and Sofie of Soul and Surf in Kerala, he soon found himself surfing uncharted waves to an audience of school children and fisherman. Words and Photos: Tom Birmingham

Two of the most influential people on the surf-inspired art scene, Jeff Raglus and Gerry Wedd have been making their mark on everything from surfboards to teapots since the 1970s. Thirty years later, they're still as productive as ever... Words: Tommy Leitch Photos: Jamie Bott

Portugal explodes onto the global big wave circuit with a handful of household names and a freakish wave canyon. Photos: Jorge Leal and Wilson Ribeiro.


The importance of a good work ethic

October 21, 2009 | Words By: The CELL

malcolm-shapingIn the commercial and industrialised operation that global surfboard production has become, the value of people and community have largely been lost. Recently we had the opportunity to chat to Malcolm Campbell, the creator of the Bonzer (a Drift feature is on its way), about his views on the globalisation of the surfboard industry. Words: Steve Croft & Mark Sankey, photos: Alexa Poppe.

Over the years the Campbell brothers have been indirectly approached by some of the world’s largest board manufacturers, but they have always stuck to their principles of hand-built surfboards – high production values, low turnover of goods. When asked for his views on the current trend to mass-produce surfboards in the Far East, Malcolm replied, “We believe in the decentralisation of production. Instead of having all the boards made in one place and then distributed around the world, we believe in coming out to places like England and working with local people. You can have the boards produced locally, so you’re giving something back to the community which is supporting you.”

img_2078_smallWith the market overflowing with imported epoxy composite surfboards and some of the surfing world’s big-name shapers backing them, has Campbell ever been tempted to go down that route? “I do not think those boards perform as well. Polyester – or even a custom EPS – perform better than the equivalent composite board. Some of it’s to do with performance, but it’s more really to do with our theories of business and community. I would rather give work to guys in the area where people are buying the boards.”

img_2333_bonzerwhite1This people-centric philosophy is fundamental to Campbell’s approach to surfing and is shown in their logo – two figures representing people and the community.  “We are really into design and really into surfing but the thing that has kept the Bonzer going is that it works for average surfers; if it didn’t then it would have died out. We really stuck with it because we want to give something back to surfing because it has given so much to us. We believe in the design but we also want to contribute to the surfing community.”


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