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Mat Arney hooks up with some old friends to go feral on the Arabian Peninsula and hunt down some truly isolated swell. Words & photos: Mat Arney

Al Knost is one of the best sliders around and has a close connection with a scene far removed from the modern marketplace hustle. Ryan Tatar tracked him down with his project partner Tyler Manson and gave us an insight into their freshest work. Words: Ryan Tatar Photos: Jamie Bott & Tyler Manson

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia

Quietly considered and eloquent, you might know of Nathan Oldfield through his films 'Lines From A Poem' and 'Seaworthy'. Surf Screen's Christiaan Bailey popped him a few duly thoughtful questions about creative motivations and the surf film industry. Photos: Nathan Oldfield

Chris Preston chats to longboard maestro Steve Walden about his disappointment with the lack of recognition for the longboarding scene, what makes the Magic model magic, and working with GSI. Photos: Jamie Bott

From cliff-top vantage points to harbour hop-offs, beach-side hammocks to unglamorous car parks, Mat Arney raids his photo archive to document a different perspective in surfing


Making lines

October 02, 2009 | Words By: Angela

openerI recently came across some gorgeous work from an artist who proves that you don’t have to be near the ocean to feel the stoke – meet the fabulous Collin Snyder, currently land-locked in Arizona.

“We are all making lines of some sort through this life. Whether it’s going to school and studying to become a doctor, or picking up a guitar and jamming over and over again because you love how it feels to close your eyes and feel vibrations… We’re all making lines.

These lines are our experiences and aspirations, materialised through events, environment, and our choices of self-expression. I love making stuff… It makes sense to me to take a look at everything in the world, take what you see, hear, or feel, figure it out and express how it affects you (or let it stay ambiguous).

Most of what I make to represent what I see in the world takes form through photographs, paintings, and drawings. My photographs stem from looking around and exploring; seeing things and then reconstructing them in a new way.

It’s amazing how a camera can change or portray things in a way that isn’t apparent to the naked eye. On the other side of things, what I paint and draw is more of an excited reaction to the things that I get stoked on, or feel strongly about. They often contain phrases I believe in, or hidden notes and symbols of events that have happened.

Painting and drawing allow more of the creative process to have an effect on what I make – it can take a long time to get a drawing done, and it’s pretty exciting to identify all the different experiences or feelings I had while creating the piece, incorporated in the final work. Conversely, photography is a pretty immediate medium. These differences are pretty exciting and challenging and allow for me to understand my own lines that I am making in life.”

Check out more of Collin’s musings on his blog.

Picture 1 of 11

ways to look and move


1 Comments


  1. This kid’s work is siiick!

    1


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